Raymond Mercer would ease a “chaw” of "Day's Work" from one side of his jaw to the other. He’d squint off toward the back of the Parke Theater. He’d squat down on his haunches and expertly ease a load of juice equal distance between the toes of his trail worn Red Wings. He’d peer up at Luke Finley’s dark-colored mule. He’d squint back toward the theater again, spit and slightly nod his head up and down. We all breathed a sigh of relief. He bought the animal!
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